On the ninety-fifth episode of THE THIRD ACT PODCAS, the crew is in high spirits while celebrating the most important holiday of all, Flicksmas.
We have another jam-packed episode so we skip Recently Watched to discuss the latest entry in the Disney space opera series, ROGUE ONE: A STAR WARS STORY. Since we are discussing Star Wars we invite your favorite 5 year old podcaster back for another entry of Dex's Quick Picks in which he schools us on the saga. Then we unwrap our gifts as part of our 4th year participating in our favorite holiday for the Merry Flicksmas segment. Our next new film review is for the anti-biopic, JACKIE. Finally, we dig into the faux-documentary Kate Lyn Shiel vehicle, KATE PLAYS CHRISTINE. We also discuss poker analogies, hyperbole, and the ethics of CG resurrection.
Be sure to check out the other of the Merry Flicksmas festivities on episode 128 of The Flicksation Podcast.
On the ninety-fourth episode of THE THIRD ACT PODCAST, the crew is in the middle of of holiday movie season fever dream.
This is a long rambling episode (what else do you expect?). We skip a segment this episode to do 3 new film reviews. The first review is for Tom Ford's stylish sophomore effort, NOCTURNAL ANIMALS. Then, we finally get to talk in depth about Casey on a dock, who is in fact a lock, in MANCHESTER BY THE SEA. Finally, we get into a spoiler-y conversation about Park Chan-Wook's romantic epic, THE HANDMAIDEN. We also discuss Mr. Belvedere (again), how we can't call Dwayne Johnson "The Rock" anymore, and awkward comparisons to Christian's sickness to historic sports performances. Enjoy!
One the ninety-third episode of THE THIRD ACT PODCAST, the crew is reeling from recent events and trying to find solace in (what else?) the movies. The first film up for review is Jeff Nichols' second film of the year, LOVING, which is about an interracial couple and the Supreme Court case about their marriage. Our other new film review is for Denis Villeneuve's contemplative sci-fi film, ARRIVAL. We also discuss Dan the Intern, what Armando is allowed to do on the show, and the other co-hosts try not to make fun of Christian for his ragged emotions.
On the ninety-second episode of THE THIRD ACT PODCAST, the crew saves American cinema. The first film up for review is Kelly Reichardt's predictably minimalist, female-centric film, CERTAIN WOMEN. We finish off our latest Auteurography series by discussing Orson Welles' final film, the playful documentary, F for Fake. Finally, we discuss the highly lauded film about the life of a black, queer man, MOONLIGHT. We also discuss theaters of Sacramento, the filmography of Robert Altman, and do not mention Donald Trump's America (because this was recorded before the election).
On the ninety-first episode of THE THIRD ACT PODCAST, the crew wants to sell you magazines, but really you are investing in our future. The first film up for review is Ava DuVernay's Netflix documentary about racist aspects of the American justice system, 13TH. For our Auteurography segment, we discuss Orson Welles' final narrative feature, and amalgamation of Shakespeare plays, Chimes at Midnight. Finally, we discuss Andrea Arnold's epic damaged youth movie, AMERICAN HONEY. We also discuss Orson Welle's weight, cooking pot crowns, and Shia's suspenders.
On the ninetieth episode of THE THIRD ACT PODCAST, the crew has committed a crime, but they will never know what it was. The new films of the last couple weeks didn't pique our collective interest, so we decided to double dip on classic film and discuss the Criterion Collection approved Japanese gangster film, TOKYO DRIFTER. Then, we continue our run through Orson Welles' filmography and discuss the criminally under-appreciated THE TRIAL. Finally, we turn to Netflix for our lone new film discussion and talk about the understated, Venezuelan film, FROM AFAR. We also discuss who we are voting for, nude wedding gifts, and start a letter writing campaign to benefit The Trial live on the air.
Keep in touch with us on Facebook: www.facebook.com/TheThirdActPodcast and on Twitter: @TheThirdActPod and email us anytime at: TheThirdActPodcast@gmail.com
On the eighty-ninth episode of THE THIRD ACT PODAST, the crew is under heavy surveillance and the government clearly wants to know what films we're watching. The first film up for review is Oliver Stone's hero worship take on a recent American icon, SNOWDEN. For our Auteurography segment, we discuss the Orson Welles' classic, Touch of Evil, and the opening tracking shot that is constantly referenced. Finally, we check out the South Korean horror film and crime drama, THE WAILING. We also discuss Nic Cage's hair, Charlton Heston in brownface, and Kevin James.
On this very special episode of THE THIRD ACT PODCAST we talk exclusively about the films of CASEY AFFLECK and the man himself. If this sounds strange then this is probably not an episode for you because really this episode is a birthday present for Christian's wife, Katie.
Casey on a dock is a lock.
On this special bonus episode of THE THIRD ACT PODCAST, Jericho slides into the host's chair to talk to Christian and returning guest Robert Gassaway of The Flicksation Podcast about their time at the 43rd annual Telluride Film Festival. It was both Christian and Robert's third trip to the mountains so they discuss how this trip compared to others, which celebrities (or faux-celebrities) they saw, and what the atmosphere in Colorado was like. Of course, you'll also hear some spoiler-free thoughts on the best films that were screened, a savage takedown of Sully, and a rave review for Snoop Dogg's brand of taffy "Dogg Treats."
On the eighty-eighth episode of THE THIRD ACT PODCAST, the crew ruins yet another Turkey Day. The first film up for review is a modern western called HELL OR HIGH WATER. Then, we continue our Auteurography segment and talk about Orson Welles' film Mr. Arkadin or Confidential Report (or whatever the hell you want to call it). Finally, we review the Kickstarter and festival darling, KRISHA. We also discuss XBOX, Orson Welles' continually impressive facial hair, and ABBA.